I had inadvertently walked through a door that I shouldn’t have gone through and couldn’t get back to the place I hadn’t meant to leave.
–So Long, See You Tomorrow, William Maxwell
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AUTHOR: William Maxwell
GENRE: Fiction
WHERE DID I GET THIS BOOK: Amazon
RATING: 4.5/5 stars
SUMMARY: A middle-aged narrator looks back on the events surrounding the murder that had affected his best friend, Cletus, when both of them were adolescents. The narrator was not personally affected by the murder, but keeps returning to it in his memory, unable to let it go. He reconstructs the persons involved in the crime, and the part they might have played in leading up to the murder. As he digs back into the past and how it upset his friend, Cletus, he finds bits and pieces of his own past that also beg for closure, at last.
THOUGHTS: I really enjoyed Maxwell’s writing in this book. It had dreamy qualities to it, ones that appropriately fitted the farmtown he was describing and that enhanced the fact that this story was told throughout memories. I also like Maxwell’s choice of a narrator- by choosing someone who was not involved in the murder, there is no bias in the narrator’s retelling of the events.
The subject of loss, and coming to terms with loss, is heavily explored in this book. The figurative language used to demonstrate the narrator’s struggle with his own losses, as well as how lost he is in the present, is done so masterfully and in a unique style that I have not encountered before.
The multiple narrators, or at least, the multiple personas that the narrator takes on when trying to explain the events, gives the story multiple points of views; and this choice is appropriate, so that characters are neither villified nor idealized, but rather, as human as they possibly can be.
In a way, the way that this book approaches memories was reminiscent of The Glass Menagerie. The fact that memories and fiction go so well together, and the fact that the relationship between the two is so tangible and yet unreachable, since memories are only configurations of our imaginations, the things that only we think happened, makes for an interesting subject to read about. I also like how the subject of maturity and maturation is not necessarily linked to a certain age- the narrator is in his fifties (don’t quote me on that) but he is still learning a lot from reflecting on his youth and examining emotions that he has repressed for too long and has never really learned to leave behind in the past.
The plot is engaging, even though there is no suspense or mystery to the crime. There isn’t supposed to be, and if it were, it would take away from the actual story. I read this novel in the span of a couple of hours, and if you are looking for a quick, thought-provoking, and enjoyable read, then I would definitely recommend this book to you.